Heloisa Espada is a PhD student in Art History and Art Criticism by School of Communications and Arts of University of Sao Paulo and has worked as curator at Instituto Moreira Salles since 2008. Her research focuses on art produced in Brazil after World War II, with specific focus on geometric abstractions and photography. She is author of Hercules Barsotti (Folha de SãoPaulo Editions, 2013), Geraldo de Barros e a fotografia (Instituto Moreira Salles; SESC Editions, 2014) and Monumentalidade e Sombra: o centro cívico de Brasília por Marcel Gautherot (Annablume, 2016).