Christopher Green is a PhD candidate in Art History at the Graduate Center, CUNY. His research focuses on modern and contemporary Native American art, the representation and display of Indigenous culture, and primitivisms of the historic and neo-avant-garde. His dissertation, “Masked Moderns: Northwest Coast Native Art Beyond Revival,” examines the interplay between Euro-American modernism and Native American art of the Pacific Northwest through a series of Indigenous artists who in the years 1960–1990 drew on modernist aesthetic procedures to complicate notions of authenticity, identity, and tradition. His scholarly essays and criticism have appeared in Art in AmericaThe Brooklyn RailARTMargins, and Winterthur Portfolio, amongst others, and he is the co-editor of Issue 11 of SHIFT: Graduate Journal of Visual and Material Culture, “BLOOD AND EARTH AND SOIL.” He has contributed catalogue essays to exhibitions at Artists Space and the James Gallery, and he will be a 2018–2019 Smithsonian Predoctoral Fellow at the Smithsonian American Art Museum and National Museum of the American Indian.