Stephanie Huber is a PhD candidate at the City University of New York, Graduate Center, where she is writing her dissertation on a number of Dutch interwar painters working in a Magic Realist style labeled “Neorealism.” Her research interests include figurative painting in Europe, the revival of traditional media, and the influence of cinema on twentieth-century artistic practice. Her writing has been appeared in Zeitschrift für Kunstgeschichte, Moving Image Review and Art Journal, Burlington Magazine, Hyperallergic, and ARTMargins.