Rachel Rossin is a painter and programmer whose work explores entropy, embodiment, the ubiquity of technology and its effect on our psychology. She has gained recognition for a series of exhibitions that blend oil painting, sculpture, and virtual reality. Selected solo exhibitions include Stalking the Trace, Zabludowicz Collection, London, 2019; Greasy Light, 14a, Hamburg, Germany, 2019; Tennis Elbow, The Journal Gallery, New York, 2019; Peak Performance, SIGNAL, New York, 2017; My Little Green Leaf, Contemporary Art Centre, Riga, Latvia, 2016; and Lossy, Zieher Smith & Horton, New York, 2015. Selected group exhibitions include Chaos and Awe: Painting for the 21st Century, Frist Center for the Visual Arts, Nashville, Tennessee, 2018; After Us, K11 Art Museum, Shanghai, 2017; ARS17, Museum of Contemporary Art Kiasma, Helsinki, 2017; and First Look: Artists’ VR, co-presented by Rhizome, The New Museum, New York, 2017. Rossin was a fellow in virtual reality research and development at the New Museum’s NEW INC in 2015.