Maud Jacquin

Maud Jacquin is an art historian and curator based in Paris
and New York. With Sébastien Pluot, she is co-director of Art by Translation,
an international research program in art and curatorial practices that involves
participating students and host institutions in four countries. Most recently
in 2016, she curated a major retrospective of films and performances by Maria
Klonaris and Katerina Thomadaki at the Jeu de Paume in Paris as well as “From
Reel to Real: Women, Feminism and the London Film-makers’ Co-operative,” a
program of screenings and performances at Tate Britain and Tate Modern
including more than forty films by twenty-five filmmakers. Before that, she
curated monographic exhibitions of Alice Anderson (Musée Chagall, Musée Picasso
and Frac Paca in France), KwieKulik (BWA Wroclaw, Poland) and Fred Forest (Jeu
de Paume, espace virtuel) and, from 2011 to 2013, she was the associate curator
of Residency Unlimited, a New York based residency program for international
artists and curators. She received her M.A from the Courtauld Institute of Art,
London and her Ph.D. from University College London. Her research interests
include moving image and performance practices, expanded cinema, feminist media
histories, theories of narrative and translation. Her dissertation explored the
politics of narrative in women artists’ film and video, with a particular focus
on the British experimental film scene of the 1970s and 80s.