How do existing methodological structures choreograph the diverse outputs of social art practice and what tools have we developed to enact new transversal methods for instituting this practice? Furthermore, how can social art practice begin to be historicized as it interacts with disciplines of visual art, performance, and theater as well as uneven geographies and political conditions? Join in conversation with sociologist Pelin Tan as she presents her research in this area in conversation with James Gallery curator Katherine Carl and participants in the Social Choreography Working Group.
This event is presented as part of Social Choreography, an interdisciplinary research group devoted to intersections between art movements and social movements. The group is supported by the Mellon Seminar on Public Engagement and Collaborative Research. For more information or to join, email [email protected].
Cosponsored by the Social Choreography Mellon Seminar in Public Engagement and Collaborative Research, and the Center for Place, Culture and Politics, and Committee on Globalization and Social Change.
