Lost & Found Elsewhere is a unique series of book-length projects emerging from the research of Lost & Found editors. Working in partnership with select publishers, these books bring to light unpublished or long unavailable materials that have emerged alongside or as part of Lost & Found initiatives in archives across the country.
Savage Coast by Muriel Rukeyser
Editor: Rowena Kennedy-Epstein
Publisher: The Feminist Press
As a young reporter in 1936, Muriel Rukeyser traveled to Barcelona during the first days of the Spanish Civil War. She turned this experience into an autobiographical novel, providing one of the few first-hand accounts of the war written by a foreign woman, despite the enormous number who reported from Spain. This lyrical work, at once avant-garde and documentary, was rejected by Rukeyser’s publisher in 1937 for its radical politics and hybrid aesthetic and is published here for the first time by The Feminist Press. The novel is a modernist investigation of violence, activism, and desire, mapping her political and sexual awakening onto the larger narrative provided by the popular front resistance to the fascist coup. The text is an important and absorbing testimony to those who fought and died for freedom and justice during the first major battle against European fascism.
Robert Duncan in San Francisco by Michael Rumaker
Editors: Ammiel Alcalay & Megan Paslawski
Publisher: City Lights Books
A newly expanded edition of an enduring classic, Robert Duncan in San Francisco is both a portrait of the premier poet of the SF Renaissance and a fascinating account of gay life in late 1950s America. Following his graduation from Black Mountain College, Michael Rumaker made his way to the post-Howl, pre-Stonewall gay literary milieu of San Francisco, where he entered the circle of Robert Duncan. His account of that time gives an unvarnished look at Duncan’s magnetic personality and occasional failings, while delivering vivid snapshots of other significant poets like Jack Spicer, John Wieners, and Joanne Kyger, against the backdrop of legendary North Beach haunts like The Place, Vesuvio, and City Lights Books. Contrasting Duncan’s daringly frank homosexuality with his own then-closeted life, Rumaker conjures up with harrowing detail an era of police persecution of a largely clandestine gay community struggling to survive in the otherwise “open city” of San Francisco. First published in 1996, this expanded edition includes a selection of previously unpublished letters between Rumaker and Duncan, and an interview conducted for this edition, in which Rumaker provides further reflections on the poet and the period. As Russell Banks writes of the book: “Much more than memoir; it’s history.”
A Walker in the City: Elegy for Gloucester by Peter Anastas
Publisher: Lost & Found Elsewhere and Back Shore Press
Lost & Found Elsewhere teamed up with Back Shore Press to produce A Walker in the City: Elegy for Gloucester by Peter Anastas, with a forward by the author’s son, novelist and essayist Benjamin Anastas, and an afterward by Ammiel Alcalay. A Walker in the City presents selected newspaper columns Peter Anastas published as part of “This Side of the Cut” in the Gloucester Daily Times between 1978 and 1990. Anastas writes about growing up in Gloucester in the 1940s, about the rich social and cultural life of a multiethnic community, and the city’s abundant wildlife, vital fishing industry, and endangered natural environment, all set within the wider historical implications of rapid change and local politics. As one reviewer wrote: “In his urgency to capture the essence of his childhood and its symbiotic link to Gloucester, he manages to present a multi-sensory re-creation of what we thought we’d lost—our youth. At the same time, he chronicles a community’s struggle for the survival of self.” Scholar David Rich puts it: “Like Olson, Anastas reads like an exile from a future time. Nothing in this collection is vintage, all is live goods.”
Amiri Baraka and Edward Dorn: The Collected Letters
Editor: Claudia Moreno Pisano
Publisher: University of New Mexico Press
Winner of the 2014 Pen Oakland Josephine Miles Award
From the end of the 1950s through the middle of the 1960s, Amiri Baraka (1934–2014) and Edward Dorn (1929–99), two self-consciously avant-garde poets, fostered an intense friendship primarily through correspondence, as seen in this University of New Mexico Press edition. The early 1960s found both poets just beginning to publish and becoming public figures. Bonding around their commitment to new and radical forms of poetry and culture, Dorn and Baraka created an interracial friendship at precisely the moment when the Civil Rights Movement was becoming a powerful force in national politics. The major premise of the Dorn-Jones friendship as developed through their letters was artistic, but the range of subjects in the correspondence shows an incredible intersection between the personal and the public, providing a schematic map of what was so vital in postwar American culture to those living through it. Their letters offer a vivid picture of American lives connecting around poetry during a tumultuous time of change and immense creativity. Reading through these letters allows access into personal biographies, and through these biographies, profound moments in American cultural history open themselves to us in a way not easily found in official channels of historical narrative and memory.
Stars Seen in Person: Selected Journals by John Wieners
Editor: Michael Seth Stewart
Publisher: City Lights Books
John Wieners was on the periphery of many of the twentieth century’s most important avant-garde poetry scenes, from Black Mountain and the Boston Renaissance to the New York School and the San Fransisco Renaissance. Having achieved cult status among poets, Wieners has also become known for the compelling nature of his journals, a mixture of early drafts of poems, prose fragments, lists, and other fascinating minutiae of the poet’s imagination. Stars Seen in Person: Selected Journals of John Wieners collects four of his previously unpublished journals from the period between 1955 and 1969. The first journal depicts a young, openly gay, self-described “would-be poet” dashing around bohemian Boston with writer and artist friends, pre-drugs and pre-fame. By the last book, decimated by repeated institutionalizations (the first for drug-related psychosis, the rest the consequence of the first) and personal tragedies, Wieners is broken down and in great pain, but still writing honestly and with detail about the life he’s left with. These journals capture a post-war bohemian world that no longer exists, depicted through the prism of Wieners’ sense of glamour.