Series III

John Wieners & Charles Olson: Selected Correspondence, Parts I and II

ed. Michael Seth Stewart


VIEW A SAMPLE OF SERIES III ON ISSUU

Project Description

"But Wieners' letters to Olson from that time that gave rise to his early love poems and vatic apostrophes also show him continuing the study he began at Black Mountain. In one letter, he describes spending the day in the New York Public Library, an experience which unfolds into an intricate web of connections with Sumerian history..., Egyptian and Tinguian mythology, and the patterns of jewels in the windows at Tiffany's." - from Michael Seth Stewart's Introduction

 

Editor Biography

Michael Seth Stewart is a native Southerner who has studied and taught in Tuscaloosa, Memphis, western North Carolina, and New York, where he is finishing his doctorate while teaching at many different schools in the CUNY system. He is editing a Selected Letters and Journals of John Weiners and writing a dissertation on the poetics of John Weiners and his circles. He lives in Astoria with a terrier named Frank O'Hara.

 

Author Biographies

Charles Olson was born in Worcester, Massachusetts, in 1910, and grew up spending summers in nearby Gloucester, his eventual home and the center of his epic series The Maximus Poems. After graduate work at Wesleyan and Harvard Universities, Olson worked first for the American Civil Liberties Union and then the Office of War Information in Washington, D.C., in the Foreign Language Division, ascending to Assistant Chief. Olson worked for the Democratic National Committee and the Roosevelt campaign, but grew disillusioned after Roosevelt’s death and Truman’s rise to power. In 1945 he gave up government work for poetry, moving to Key West, where he discovered Ezra Pound through Hemingway’s own copy of Personae. His first book, Call Me Ishmael (1947), emerged from his work at Harvard in the 1930s in the new American Civilization program, and was a provocative investigation of Herman Melville in light of newly found materials, including Melville’s own edition of Shakespeare. From 1951 through 1956 he served as professor and then rector at western North Carolina’s experimental Black Mountain College, where he taught and befriended John Wieners. After Black Mountain, Olson settled in Gloucester, except for two years in Buffalo, New York, where he directed the State University’s new poetics program. Throughout these post-Black Mountain years Olson continued to work on his Maximus Poems, which remained unfinished at the time of his death. One of Olson’s most enduring contributions to American poetry was his 1950 essay “Projective Verse,” which linked the line to the breath and set the terms for an “open-field” poetics, “one perception immediately and directly (leading) to a further perception.” He died in 1970 and is buried in Gloucester.

John Wieners was born in 1934 to blue collar, Irish Catholic parents in Boston. After graduating from Boston College, he was drawn to Black Mountain College, where he studied for two non-consecutive terms alongside Michael Rumaker and Ed Dorn in workshops taught by Charles Olson, Robert Creeley, and Robert Duncan, all of whom became lifelong friends. Between semesters, when he returned to Boston with his firefighter boyfriend Dana, he worked at the Poets’ Theater in Cambridge, where he befriended Frank O’Hara and saw one-act plays of his own performed. After Black Mountain, Wieners moved to San Francisco, where he wrote his breakthrough book, The Hotel Wentley Poems. On a return trip to the east coast, his parents hospitalized him for his emergent mental illness, the first of several institutionalizations. With the exception of a short time at the State University of New York at Buffalo while Olson was chair, Wieners lived the rest of his life in Boston, most of it in a sunny apartment on Joy Street. He died on March 1, 2002. In his elegy “For John Wieners,” Robert Creeley described his friend:

"Sweet, you might say, impeccable gentleman, like Claude Rains, his Boston accent held each word a particular obligation and value. I see his face as still a young man, in San Francisco, hearing him talking with Joanne, hearing him talk with Joe Dunn, with friends."